Harpsichord

Arner at EMPAC

But A Rumor to Me

Tuesday May 1st, 2012

DAVID ARNER

piano and harpsichord

 

An Invocation of Hermes Twice Revealed

David Arner (piano, harpsichord, narration)

Namely, a cryptic improvisational score based on a chorale for the Earthling (implied but not revealed) for solo piano once and then for harpsichord  exploring yet also re-contextualizing in the manner of Hermetic mythos the synchronicities, spontaneities and evolutions inherent or otherwise informed by both the inevitabilities of the circumstances and the whim of the trickster.

(Or to put it differently, two performances of the same piece that won’t sound the same, separated by an intermission.)

Text adapted from the Homeric Hymn to Hermes translated by long-time collaborator Charles Stein.

 

EMPAC

The Curtis R. Priam Experimental Media and Performing Arts Center

Rensselaer Polytechnic Institute

8th St. & College Ave., Troy NY, 12180

8:00 pm

Admission Free   Parking Free

This performance is sponsored by IEar Presents, part of the ARTS Department at Rensselaer

Evelyn’s Cafe at EMPAC will be open prior to this performance for lite fare.

 

Deep Listening Convergence

3 Days of Performances at the Lifebridge Sanctuary June 8-10 2007

Lifebridge Sanctuary, Rosendale NY
Sunday June 10 2007
3:00pm
Deep Listening Convergence at
Lifebridge Sanctuary
333 Mountain Rd.
Rosendale NY
(845) 338-6418

New works and collaborations with David Arner, Monique Buzzarte, Renko Dempster, Pauline Oliveros, Susie Ibarra, Scott Gresham-Lancaster, Vonn New, Kristen Nordival, Roberto Rodriquez, Katharina von Rutte, Gayle Young.

Including David Arner’s
“Abstract Songs of Birds for Harpsichord, Accordion & Percussion”
With David Arner (harpsichord), Pauline Oliveros (accordion) & Susie Ibarra (percussion)

This is David Arner’s premier performance on the Harpsichord

Arner is also performing in compositions by Roberto Rodriquez and Scott Gresham-Lancaster